Delle ultimi visioni cutanee – 4 capitoli sul paesaggio
III
EDITION
Brescia_Italy
8th_11th
October 2015
DELLE ULTIME VISIONI CUTANEE – 4 CAPITOLI SUL PAESAGGIO
Delle ultime visioni cutanee is based on the presentation of an installation environment, which applies in an analytical way the principle of reproduction in the greenhouse. In this habitat the plant begins its life cycle, from planting and sprouting to obtaining the fruit, which will become protection, nourishment and a means of reproduction for the seed.
The action is divided into 4 chapters, which correspond to the representation of 4 landscapes: botanic, orographic, ethological, scenic.
In this visual and motor device, body and objects are subjected to exercises of micro and macroscopic manipulation, exposed through the use of a modular illumination which exerts a focus on a cracked, peeled, skinned, or exfoliated and irritated detail.
The scenic score develops along two principal lines of action, referring to the pictorial and choreutic aesthetic canons of the Renaissance perspective and linear metric. The epithelial exercise on the table alternates to space and volume of the scene, in a kind of plastic transposition of the body movement.
Friday 09 October
Brescia | Teatro Grande Sala Scenografie
corso Zanardelli, 9a
4.15 pm – RERUN 6 pm
duration: 30 minutes
production TIR danza/stereopsis
concept, choreography and action Nicola Galli
technical assistance Andrea Mosca
costumes Acne studios
rehearsal space Spazio Casaglia, STEREOPSIS, Teatro Astoria / TIR Danza
a special thanks to Valeria Castellaneta
developed at the Institut Culturel Italien de Paris – Hôtel de Galliffet
Delle ultime visioni cutanee was selected in January 2014 for the artistic residence ‘Les promesses de l’art’, organized by the Italian Institute of Culture in Paris, for a first site-specific study.
supported by Fondo per la Danza d’Autore Regione Emilia Romagna 2015/2016
NICOLA GALLI
Nicola Galli (Ferrara 1990) works on body research, stated in artistic pieces and devices that ranges from choreography to performance, from body installations to graphics.
His artistic research focuses on analytical exploration of movement as a part of different knowledge and definition of the “stratification” and “landscape” concepts in connection with the body.
He started as agonist gymnast and then studied the languages of physical theatre and contemporary dance at Teatro Nucleo (Ferrara). From 2010 to 2014 he danced for CollettivO CineticO and in the meanwhile started his career as author by developing the project MDV [Metamorfosi del vuoto], a study concerning pure shapes and the concepts of stratification and landscape. Since 2014 he is supported by TIR Danza.